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Roaring Twenties / Harlem Renaissance Project
Due
Monday, March 3, 2008
Test Grade
Group Work Rubric
Presentation Rubric
The time
after WWI was an era of cultural movements, music,
art, and adventure. For this reason, the 1920’s are
known as the Roaring Twenties. You will be
completing a project involving researching a topic and then
present it to the class. You will have three
computer lab periods and a weekend to work on this
1920’s project worth a test grade. The project and
the presentation will combine to create your total
score. Topics will range from the worlds of sports,
art, music, literature, movies, politics, law,
biography, and many other topics.
You will
work with an ASSIGNED partner to complete this
project. You will be graded on your individual
effort as well as your group work. It is possible
that a grouping can end up with an A and an F as
letter grades.
Utilize
the links provided to help you complete your task.
Here is a
list of projects you may complete:
Mobile
– use a clothes hanger or some small sticks, hang
strings down with images and information – present
it to the class
Song – write, or revise an existing song with new lyrics and
sing it
Dance – perform a dance with music from the time period and
explain
Other
performance
– such as a scene from a play or movie and explain
Diorama – build a shoebox representation of your topic and explain
Advertisement
– make an “authentic” advertisement about your topic
and explain
News
broadcast
– create a news broadcast to present to the class
PowerPoint -
explaining your topic (potentially mind-numbingly
boring unless good effort is put forth)
Other –
ask Mr. Redeker for approval
Politics and Normalcy
http://www.tqnyc.org/NYC063369/people.htm
http://www.tqnyc.org/NYC063369/events.htm
(Teapot Dome Scandal)
(top)
Sacco and Vanzetti
http://www.courttv.com/archive/greatesttrials/sacco.vanzetti/
http://www.law.umkc.edu/faculty/projects/ftrials/SaccoV/SaccoV.htm
(top)
Organized Crime
http://www.gangrule.com/
http://www.fbi.gov/libref/historic/history/lawless.htm
Al Capone
http://www.chicagohs.org/history/capone.html
(top)
Shopping
http://www.1920-30.com/business/
http://www.1920-30.com/business/instalment-selling.html
(top)
Flappers
http://www.fashion-era.com/flapper_fashion_1920s.htm
http://ehistory.osu.edu/osu/mmh/clash/NewWoman/newwoman-index.htm
http://faculty.pittstate.edu/~knichols/jazzage.html#flapper
http://www.1920-30.com/fashion/the-bob.html
http://www.geocities.com/flapper_culture/appeal.html
(top)
Movies
http://www.1920-30.com/movies/
http://www.filmsite.org/20sintro.html
http://www.eyewitnesstohistory.com/gish.htm
Charlie Chaplin
http://www.tqnyc.org/NYC063369/entertainment.htm
(top)
Scopes Monkey Trial
http://ehistory.osu.edu/osu/mmh/clash/Scopes/scopes-index.htm
http://www.courttv.com/archive/greatesttrials/scopes/
http://www.law.umkc.edu/faculty/projects/ftrials/scopes/scopes.htm
(top)
Marcus Garvey
http://www.tqnyc.org/NYC063369/people.htm
http://www.swagga.com/marcus.htm
(top)
FADS:
Flagpole Sitting
http://www.badfads.com/pages/events/flagpole.html
Dance
Marathons
http://www.wunderland.com/WTS/Renee/DanceMarathons.html
Dances
http://www.homesteadmuseum.org/jtt/1920s%20charleston.pdf
http://www.mixedpickles.org/jazzdance.html
Games
http://www.mahjongmuseum.com/brief.htm
(top)
Aviation
Charles Lindbergh
http://www.1920-30.com/aviation/
http://www.charleslindbergh.com/
Amelia Earhart
http://www.ameliaearhart.com/home.php
http://www.ellensplace.net/eae_intr.html
(top)
Harlem Renaissance
http://findarticles.com/p/articles/mi_m0EPF/is_18_101/ai_82650370
http://faculty.pittstate.edu/~knichols/jazzage.html#harlem
http://www.levity.com/corduroy/harlem.htm
(top)
Jazz
http://lcweb2.loc.gov/ammem/wghtml/wghome.html
http://www.1920-30.com/music/
Louis Armstrong
http://www.time.com/time/time100/artists/profile/armstrong.html
http://www.satchmo.net/
http://www.redhotjazz.com/louie.html
(top)
Literature
F.Scott Fitzgerald
http://faculty.pittstate.edu/~knichols/jazzage3.html#lost
Langston Hughes
http://faculty.pittstate.edu/~knichols/jazzage3.html#harlem
(top)
Ku Klux Klan
http://ehistory.osu.edu/osu/mmh/clash/Imm_KKK/antiimmigrationKKK-index.htm
(top)
Sports
http://www.1920-30.com/sports/
http://www.law.umkc.edu/faculty/projects/ftrials/blacksox/blacksox.html
http://www.fsmitha.com/h2/ch15-7.htm
http://www.answers.com/topic/1920-in-sports
(top)

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5 |
10 |
15 |
20 |
Score |
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Skill development for task |
Assumes others will learn skill. Makes no
effort to acquire expertise in skill.
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Satisfied with general understanding of
skill, but will not go for competence.
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Will learn skill when it is necessary.
Usually minimum competence to complete
task.
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Readily learns new skills as a matter of
course. Seeks to extend the skill.
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Creativity |
Boundaries set by the fulfilling of minimum
requirements. No personal input or attempt
to enhance.
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Has an occasional new idea, but little
follow through. Products are completed in an
acceptable form.
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Has new ideas or ways of doing things, but
may be reluctant to deploy. Products always
well done for requirements
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Formulates new ideas or new ways of doing
things. Products exceed requirements in
design and/or content.
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Understanding of the process |
Avoids teacher Sees task as burden to fill
class time with no value. Sees group as free
ride.
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Sees task as burden, but is somewhat
invested in process. Asks, "Do we have to
�?" Sees teacher as task master.
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Sees task as a school requirement to be
filled, but sees some value in work. Sees
teacher as evaluator and helper.
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Sees opportunity in task for doing and
learning. Sees value in the work. Sees
teacher as colleague/mentor.
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Intellectual contribution |
Has little or no grasp of context. Sees task
as isolated with no connection to past or
future ideas.
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Aware of overall context, but makes no
connections on own. Can recite connections
of others but rarely can support them.
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Usually understands overall context of task
and asks questions about context. Makes
connections on own and "gets" those others
make. |
Understands overall context of the task.
Contributes ideas and proposals. Extends
connections to ideas past and future.
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Effort |
Actively avoids jobs when possible.
Complains about others. Has large set of
excuses.
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Reluctantly does jobs when asked. Seeks
easiest duties in group. Sometimes works to
completion.
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Willingly takes on jobs when asked. Works to
completion. Will work long hours when
required.
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Volunteers for jobs no matter how difficult
Always works to completion. Willing to work
long hours.
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(top)
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5 |
10 |
15 |
20 |
Score |
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Clarity |
No apparent logical order of presentation,
unclear focus
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Content is loosely connected, transitions
lack clarity
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Sequence of information is well-organized
for the most part, but more clarity with
transitions is needed
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Development of thesis is clear through use
of specific and appropriate examples;
transitions are clear and create a succinct
and even flow |
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Presentation Length |
Greatly exceeding or falling short of
allotted time
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Exceeding or falling short of allotted time
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Remained close to the allotted time
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Presented within the allotted time
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Content |
Thesis is unclear and information appears
randomly chosen
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Thesis is clear, but supporting information
is disconnected
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Information relates to a clear thesis; many
relevant points, but they are somewhat
unstructured
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Exceptional use of material that clearly
relates to a focused thesis; abundance of
various supported materials
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Creativity |
Delivery is repetitive with little or no
variety in presentation techniques
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Material presented with little
interpretation or originality
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Some apparent originality displayed through
use of original interpretation of presented
materials
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Exceptional originality of presented
material and interpretation
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Speaking Skills |
Monotone; speaker seemed uninterested in
material
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Little eye contact; fast speaking rate,
little expression, mumbling
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Clear articulation of ideas, but apparently
lacks confidence with material
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Exceptional confidence with material
displayed through poise, clear articulation,
eye contact, and enthusiasm
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